EVA DÍAZ

ART HISTORIAN + CRITIC

Betye Saar

Andro Wekua Preview

The Review Panel, national academy 4.1.11

Our Humble Outer Space

Domes for Doomsday?

We Are All Bauhauslers Now

Dome Culture in the Twenty-First Century

Live by Night: Andro Wekua

Claudia Joskowicz

The Crude and the Rare at Cooper Union

Your History Is Not My History

#class (William Powhida and Jennifer Dalton)

PROW: The Sequel

Frottage, Miguel Abreu Gallery

for talks earlier than 2014…

The Substance of Things Hoped for, and the Evidence of Things Not Seen…

Bachelor Pad Revolution

Pictures Degeneration

An Interview on the Interview: Eva Diaz in Conversation with Carlos Motta

Renata Poljak

Emily Jacir

Lisa Oppenheim

Recessional Aesthetics at Dia

The Triumph of Kipple: Alejandro Almenza Pereda’s Sculptures

Wither Curatorial Studies

PULSE Profiles: Eva Díaz 3.8.09

Nayland Blake

White Columns Annual

Arrested Development

Progressive Pedagogy and the Whitney Program

Paul Klee: 1922

Art Workers in the Scarcity Economy

Jan Baracz

Raha Raissnia

Martha Wilson

Tom Burr

The Ethics of Perception: Josef Albers in the United States

Dude‚ I’m So Wasted

Futures: Experiment and the Tests of Tomorrow

Black Mountain College is Dead, Long Live Black Mountain College!

Future Noir, Or: How I Learned to Stop Worrying and Love Electric Toads

The Space Between Dream and Design

Collier Schorr

David Lamelas

Peter Fischli and David Weiss

Peter Campus

Labors of Attention: Digital Art and Its Industrial Past

Renee Green: United Space of Conditioned Becoming

Tony Conrad

Jenny Perlin

Joyce Pensato

A Critical Dictionary of Space and Sculpture

Furniture Music

The Itinerant Dream House

The New Public Art: Encounters in Privatized Space

Melancholy: A Call for Radical Boredom

Mind the Gap

The brian Lehrer Show 4.26.06

Ceal Floyer

John Miller

/

© 2024 EVA DÍAZ

Theme by Anders Norén