EVA DÍAZ

ART HISTORIAN + CRITIC

Decolonizing Site

Dorothea Rockburne

One Hundred Years of Revolutionary Experiments in Art Education

Dawn Dedeaux

Poncilí Creacíon

Puerto Rico’s Burdens of Displacement

Raul De Lara

What Is the Environmental Cost of Photography?

On the Radicality of Marisol’s Art

Wendy Red Star

Art & Education Office Hours

Elana Herzog

Tomás Saraceno

Sofía Victoria Córdova: The Revolution Will Be…

The Black Mountain Idea: Radical Pedagogies

Mothership Earth

Cinema and Sublimity

Claudia Joskowicz

Eva Díaz at the World Perfumery Congress

Sharon Lockhart

Roe Ethridge

Hannah Whitaker

Natalie White

Erika Ranee

On the Freedom of Air

Zome Rights

Viewfinder: Creative Editing

THe Lure of Foraging

Inner Structures

Eco-Feminist World Building

Passages: Carla Herrera-Prats

Is Space the Place?

Art AND the New Space Age

We Are All Aliens

West of Center

Strange Bedfellows

R. Buckminster Fuller and the Surveillance Industry

Architectures of Engagement: Rockaway Beach

Bubbles, Fabric, and the Common People

The Architectonics of Perception: Xanti Schawinsky at Black Mountain College

Paradigm Shift: The Geodesic Dome

Susan Mikula

History is Ours

Hostile Takeover

The Black Mountain College Experiment Revisited

Fantastic Architecture: Wolf Vostell and Dick Higgins

Soft Architecture

Summer 1948

Stowaways: Faculty Wives

Reduplication and The Double

Focus: Rancourt/Yatsuk

Crown to Chain, and Back Again

Bauhaus Theater at Black Mountain College

Black Mountain College

Jailbreaking Geometric Abstraction

The Fact of the Fiction

In Every Return a New History Asks to Be Written

The Black Mountain Idea

Whither Curatorial Studies?

Under the Dome: Architectures of Networked Engagement from Drop City to Rockaway Beach

/

© 2024 EVA DÍAZ

Theme by Anders Norén