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Eva Díaz
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Eva Díaz
Books
Essays
Reviews
Media
About
News, Events & Talks
Search
EVA DÍAZ
ART HISTORIAN + CRITIC
Decolonizing Site
Dorothea Rockburne
One Hundred Years of Revolutionary Experiments in Art Education
Dawn Dedeaux
Poncilí Creacíon
Puerto Rico’s Burdens of Displacement
Raul De Lara
What Is the Environmental Cost of Photography?
On the Radicality of Marisol’s Art
Wendy Red Star
Art & Education Office Hours
Elana Herzog
Tomás Saraceno
Sofía Victoria Córdova: The Revolution Will Be…
The Black Mountain Idea: Radical Pedagogies
Mothership Earth
Cinema and Sublimity
Claudia Joskowicz
Eva Díaz at the World Perfumery Congress
Sharon Lockhart
Roe Ethridge
Hannah Whitaker
Natalie White
Erika Ranee
On the Freedom of Air
Zome Rights
Viewfinder: Creative Editing
THe Lure of Foraging
Inner Structures
Eco-Feminist World Building
Passages: Carla Herrera-Prats
Is Space the Place?
Art AND the New Space Age
We Are All Aliens
West of Center
Strange Bedfellows
R. Buckminster Fuller and the Surveillance Industry
Architectures of Engagement: Rockaway Beach
Bubbles, Fabric, and the Common People
The Architectonics of Perception: Xanti Schawinsky at Black Mountain College
Paradigm Shift: The Geodesic Dome
Susan Mikula
History is Ours
Hostile Takeover
The Black Mountain College Experiment Revisited
Fantastic Architecture: Wolf Vostell and Dick Higgins
Soft Architecture
Summer 1948
Stowaways: Faculty Wives
Reduplication and The Double
Focus: Rancourt/Yatsuk
Crown to Chain, and Back Again
Bauhaus Theater at Black Mountain College
Black Mountain College
Jailbreaking Geometric Abstraction
The Fact of the Fiction
In Every Return a New History Asks to Be Written
The Black Mountain Idea
Whither Curatorial Studies?
Under the Dome: Architectures of Networked Engagement from Drop City to Rockaway Beach
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EVA DÍAZ
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