EVA DÍAZ

ART HISTORIAN + CRITIC

A Conversation with Orit Raff, Julie Saul Gallery 11.6.14

An Evening with Fernando Botero, pratt institute 10.28.14

Experimentation: The Black Mountain College Idea, oxford symposium 9.20.14

Prospect.3 New Orleans: Notes For Now

Black Mountain College

Jailbreaking Geometric Abstraction

The Fact of the Fiction

In Every Return a New History Asks to Be Written

Jacolby Satterwhite

Phil Collins

Julio Grinblatt

David Hartt

Katherine Wolkoff

Rico Gatson

Trevor PaglEn

Goshka Macuga

The review Panel, national academy 6.7.13

The Black Mountain Idea

Whither Curatorial Studies?

Under the Dome: Architectures of Networked Engagement from Drop City to Rockaway Beach

Doomsday Domes

FCA and a New Economy for Experimentation

Creative capital / Warhol Foundation ARTS WRITERS GRANT

The Prospect. 2 Biennial, New Orleans

Strangers in a Strange Land: An Interview with Eva Díaz

Rey Akdogan

Paul Pfeiffer

Christian Jankowski

Jill Magid

Notations: The Cage Effect Today

Per Oskar-Leu

Ross Knight

Antoni Muntadas

Rancourt/Yatsuk

Gyula Kosice panel, cabinet 12.6.12

Memory as Site in New Orleans and Beyond

Sharon Lockhart’s Historical Choreography; or, the War of Remembrance That Is History

The Absent Public: Deborah Luster’s Tooth for an Eye

Star Vision

Encounters with Contemporary Public Art

40 Under 40 Citation

Faculty Focus

The Language of Transformation: A Conversation with Alfredo Jaar

The Good Life / La Buena Vida (with Carlos Motta)

Keren Cytter

Joe Winter

Dara Birnbaum

Catalina Parra

Dario Robleto Preview

Bucky Fuller’s Hubris: The Forty-Two Hours of “Everything I Know”

Drawn from Photography, The Drawing Center

Absent Populations: Deborah Luster’s Tooth for an Eye

Dario Robleto

Jack Tworkov Preview

E’wao Kagoshima

Betye Saar

Andro Wekua Preview

The Review Panel, national academy 4.1.11

Our Humble Outer Space

Domes for Doomsday?
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